Ph.D. Bibliography

Relational and Ubiquitous Performance Art / La performance relationnelle et ubiquiste

::AUDIO:: | ::CINEMA / VIDEO:: | ::PHOTO:: | ::INSTALLATION:: | ::ARCHITECTURE:: |::PERFORMANCE:: | ::DIGITAL MEDIA:: | ::THEORY::

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::AUDIO::
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× Jean-FranCois Augoyard & Henri Torgue, Sonic Experience: A Guide to Everyday Sounds (McGill-Queen's University Press, 2006).
° Barry Blesser & Linda-Ruth Salter, Spaces Speak, Are You Listening?: Experiencing Aural Architecture (Cambridge: The MIT Press, 2009).
° John Cage, Silence (Cambridge: The MIT Press, 1961).
° Joel Chadabe, Electric Sound: The Past and Promise of Electronic Music (Englewood Cliffs: Prentice Hall, 1998).
× Christof Cox, Audio Culture (Continuum, 2004).
° DJ Spooky, Rhythm Science (Cambridge: The MIT Press, 2004).
× Dj Spooky (Ed.), Sound Unbound: Sampling Digital Music and Culture (Cambridge: The MIT Press; Pap/Com edition, 2008).
° Jim Drobnick (Ed.), Oral Cultures (Toronto: YYZ Books, 2004).
× Paul Hegarty, Noise Music: A History (Continuum, 2007).
× Veit Erlmann, Hearing Cultures: Essays on Sound, Listening and Modernity (Berg Publishers, 2004).
° Douglas Khan, Noise, Water, Meat: A History of Sound in the Arts (Cambridge: The MIT Press, 2001).
° Brandon Labelle, Background Noise: Perspectives on Sound Art (Continuum, 2006).
° Brandon LaBelle & Steve Roden (Eds.), Site of Sound: of Architecture & the Ear (Los Angeles: Errant Bodies Press, 1999).
° Alan Licht, Sound Art: Beyond Music, Between Categories (Rizzoli, 2007).
° Christof Migone, Sound Voice Perform (Los Angeles: Errant Bodies Press2005).
° Michael Nyman, Experimental Music: Cage and Beyond (Cambridge University Press, 1999).
° Herbert Russcol, The Liberation of Sound: An Introduction to Electronic Music (Englewood Cliffs: Prentice-Hall, 1972).
° Sonic Process exhibition catalogue (Barcelona: Museu d'Art Contemporani de Barcelona, 2002).
° Murray Schafer, Soundscape (INNER TRADITION, 2006).
× Simon Shaw-Miller, Visible Deeds of Music: Art and Music from Wagner to Cage (Yale University Press).
× Jonathan Sterne, The Audible Past: Cultural Origins of Sound Reproductions (Durham: Duke University Press, 2003).
× Todd Winkler, Composing Interactive Music: Techniques and Ideas Using Max (Cambridge: The MIT Press, 2001).

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::CINEMA / VIDEO::
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° André Bazin, What Is Cinema? Volume I, Trans. Hugh Gray.
° Raymond Bellour "The Pensive Spectator", Wide Angle, Vol. 9, no. 1, 1987.
× Ben Brewster & Lea Jacobs, Theatre to Cinema: Stage Pictorialism and Early Feature Film (Oxford: Oxford University Press, 1997).
° Giuliana Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film (London: Verso, 2002).
× David Campany (Ed.), The Cinematic (Cambridge: The MIT Press, 2007).
× Noel Carroll, Engaging the Moving Image, (New Haven: Yale University Press, 2003).
× Noel Carroll, Mystifying Movies (New York, 1990).
× Noel Carroll, 'Towards an Ontology of the Moving Image', in Cynthia A. Freedland and Thomas E. Wartenburg (Eds.), Philosophy and Film(London & New York: Routledge, 1995).
× Noel Carroll, Theorizing the Moving Image (New York: Cambridge University Press, 1996).
× Gilles Deleuze, Cinema 1: The Movement-Image Trans. Hugh Tomlinson & Barbara Habberjam (Minneapolis: The University of Minnesota Press, 1986).
× Gilles Deleuze, Cinema 2: The Time-Image, Trans. Hugh Tomlinson & Robert Galeta (Minneapolis: The University of Minnesota Press, 1989).
° Mary Ann Doane, Femmes Fatales: feminism, film theory, psychoanalysis (New York: Routledge, 1991).
× Mary Ann Doane, The Emergence of Cinematic Time: Modernity, Contingency and the Archive (Harvard University Press, 2002).
° Sergei Eisenstein, Film Form, Trans. Jay Leyda (San Diego, New York, London: A Harvest Book - Harcourt, Inc., 1949).
° Peggy Gale & Lisa Steele (Eds.), Video Re/View (Toronto: Art Metropole & V Tape, 1996).
× Mark S. Meadows, Pause & Effect: The Art of Interactive Narrative (New Riders Press, 2002).
× Christian Metz, Film Language: A Semiotics of the Cinema (Oxford University Press, 1974).
° Steve Reinke & Tom Taylor, LUX: A Decade of Artists' Film and Video (Toronto: YYZ Books/Pleasure Dome, 2000).
° Michael Rush, Video Art (New York: Thames & Hudson, 2005).
° Jeffrey Shaw & Peter Weibel (Eds.), Future Cinema: The Cinematic Imaginary after Film (Cambridge: The MIT Press, 2003).
× Vivian Sobchack, Carnal Thoughts: Embodiment and Moving Image Culture (University of California Press, 2004).
° Vivian Sobchack 'The Scene of the Screen: Envisioning Cinematic and Electronic Presence', in Hans Ulrich Gumbrecht & K. Ludwig Pfeiffer (Eds.),Materialities of Communication (Stanford University Press, 1994).
° Garrett Stewart, Between Film and Screen: Modernism’s Photo Synthesis (Chicago: University of Chicago Press, 1999).
° Garrett Stewart, "Photo-gravure: Death, Photography and Film Narrative" in Wide Angle, Vol.9 No.6, 1987.

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::PHOTO ::
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× Ulrich Baer, Spectral Evidence (Cambridge: The MIT Press, 2002).
× André Bazin “The Ontology of Photography” in Peninah R. Petruch (Ed.), The Camera Viewed: Writings on Twentieth Century Photography, Vol.2 (Dutton Paperback, New York).
° Roland Barthes, Camera Lucida: Reflections on Photography Trans. Richard Howard (New York: Hill and Wang, The Noonday Press, 1981).
× Robert Bean, Image and Inscription: Anthology of Contemporary Canadian Photography (Toronto: YYZ & Gallery 44).
× Walter Benjamin, "A Short History of Photography" in Alan Trachtenberg (Ed.), Classic Essays on Photography (New Haven: Leetes Island Books, 1980).
° Anne-Marie Bernard (Ed.), The World of Proust as seen by Paul Nadar (Cambridge: The MIT Press, 2002).
° Jennifer Blessing, Rrose is a Rose is a Rose: Gender Performance in Photography (New York: Guggenheim Museum, 1997).
× David Campany, Art and Photography (Themes and Movement) (Phaidon Press, 2003).
° Helen Chadwick, Enfleshings (New York: Aperture, 1989).
° Helen Chadwick, Effluvia exhibition catalogue (Essen: Museum Folkwang; Barcelona: Fundació "la Caixa"; London: Serpentine Gallery, 1994).
° Whitney Chadwick, Mirror Images: Women, Surrealism, and Self-Representation (Cambridge: The MIT Press, 1998).
° France Choinière & Michèle Thériault (Eds.), Point & Shoot: Performance and Photography (Montreal: Dazibao, 2005).
° Charlotte Cotton, The Photograph as Contemporary Art (World of Art) (New York: Thames & Hudson, 2004).
° Penny Cousineau-Levine, Faking Death: Canadian Art Photography and the Canadian Imagination (Montreal & Kingston: McGill-Queen's University Press, 2003).
× Philippe Dubois,'Photography Mise-en-Film: Autobiographical (Hi)stories and Psychic Apparatuses, Trans. Lynne Kirby, in Patrice Pedro (Ed.), Fugitive Images: from photography to video (Indiana University Press, 1995).
° Virginia Dodier, Lady Hawarden: Studies From Life 1857-1864 (New York: Aperture, 1999).
° Feintes_Doutes+Fictions: réflexions sur la photographie numérique / reflections on digital photography (Quebec City: J'ai VU, 2005).
× Douglas Gogle & Kathy Halbreich, The Last Picture Show: Artists Using Photography 1960-1982 (Minneapolis: Walker Art Centre, 2003). ° Rosalind E. Krauss, "Reinventing the Medium" in Critical Inquiry, v.25 No.2, 1999.
° Carole Mavor, Becoming: The Photographs of Clementina, Viscountess Hawarden (Duke University Press, 1999).
° Susan Sontag, On Photography (New York: Anchor Books, Doubleday, 1990).
× Nancy Spector et al, Moving Pictures: Contemporary Photography and Video from the Guggenheim Collection (New York: Guggenheim Foundation, 2003).
° Francesca Woodman (Paris: Fondation Cartier pour l'art contemporain / Actes Sud, 1998).

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::INSTALLATION / SCULPTURAL::
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° Nicolas Bourriaud, Relational Aesthetics (Presses du Réel,1998).
× Martha Buskirk, The Contingent Object of Contemporary Art (Cambridge: The MIT Press, 2005).
° Nicolas De Oliveira, Installation Art in the New Millennium: The Empire of the Sense (New York: Thames & Hudson, 2004).
× Michael Fried, Minimal Art, A Critical Anthology (New York: Dutton, 1968).
× Nick Kaye, Site Specific Art: Performance, Place and Documentation (London & New York: Routledge, 2000).
× Pamela M. Lee, Object to Be Destroyed : The Work of Gordon Matta-Clark (Cambridge: The MIT Press, 1999).
× Mark Rosenthal, Understanding Installation Art: From Duchamp to Holzer (Prestel Publishing, 2003).
× Erika Suderburg, Space, Site, Intervention: Situating Installation Art (University of Minnesota Press, 2000).
° Julie H. Reiss, From Margin to Center: The Spaces of Installation Art (Cambridge: The MIT Press, 2000).

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::ARCHITECTURE / SPACE / URBAN::
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° Paola Antonelli, Workspheres: Design and Contemporary Work Styles (New York: The Museum of Modern Art, 2001).
× Architecture For Humanity, Design Like You Give a Damn: Architectural Responses to Humanitarian Crises (Metropolis Books, 2006).
° Gaston Bachelard, The Poetics of Space, Trans. Maria Jolas (Boston: Beacon Press, 1964 (1958)).
× François Bélanger & Bruno Marzloff, Transit: les lieux et les temps de la mobilité (Paris: Éditions de l'Aube, 1996).
° Walter Benjamin, The Arcades Project (Belknap Press, 2002).
× Janine Benyus, Biomimicry (Harper Perennial, 2002).
× Blaine Erickson Brownell, Transmaterial: A Catalog of Materials The Redefine Our Physical Environment (Princeton Architectural Press, 2006).
× Bernard Cache, Michael Speaks, Earth Moves: The Furnishings of Territories. Trans. Anne Boyman (Cambridge: The MIT Press, 1995) (*Into the Folds)
° Italo Calvino, Invisible Cities (Toronto: Random House, 1997).
× Jean Cousin, L'espace vivant (Montreal: Les Presses de l'Université de Montréal, Éditions du Moniteur, 1980).
° Guy Debord, The Society of the Spectacle, Trans. Donald Nicholson-Smith (New York: Zone Books, 1995).
° Michel de Certeau, The Practice of Everyday Life, Trans. Steven Rendall (University of California Press, 1984).
× Francis Godard, La ville en mouvement (Paris: Découvertes Gallimard, 2001).
× Elizabeth Grosz, Architecture from the Outside: Essays on Virtual and Real Space (Cambridge: The MIT Press, 2001). (*Reading Performativity)
× Elizabeth Grosz, Chaos, Territory, Art: Deleuze and the Framing of the Earth (Columbia University Press, 2008).
× Robert Kronenburg, Flexible Architecture that Responds to Change (Laurence King, 2007).
° Miwon Kwon, One Place after Another: Site-Specific Art and Locational Identity (Cambridge: The MIT Press, 2004).
° Henri Lefebvre, The Production of Space (Blackwell Science, Inc., 1991).
× Henri Lefebvre, State, Space, World: Selected Essays (University of Chicago Press, 2009).
× Abraham Moles & Elisabeth Rhomer, Psychologie de l'espace (Paris: Casterman, 1977).
° Per Mollerup, Collapsible: The Genius of Space-Saving Design (San Francisco: Chronicle Books, 2001).
× Lewis Mumford, The City in History: It's Origins, Its Transformations, and Its Prospects (Harcourt Trade Publishers, 2001).
× Sur l'expérience de la ville, Interventions en milieu urbain (Montréal: Optica, Centre d'art contemporain, 1997).
× George Perec, Species of Spaces And Other Pieces (London: Penguin, 1997).
° John Rajchman, Constructions (Cambridge: The MIT Press, 1998).
° Phyllis Richardson, XS: Big Ideas, Small-Scale Buildings (New York: Thames & Hudson, 2001). 2001).
× Simon Sadler, The Situationist City (Cambridge: The MIT Press, 1999).
× Javier Senosianin, Bio-Architecture (Butterworth, 2003).
° Sean Topham, Blowup: Inflatable Art, Architecture & Design (Munich/Berlin/London/New York: Prestel, 2002).
× Anthony Vidler, The Architectural Uncanny, Essays in the Modern Unhomely (Cambridge: The MIT Press, 1994).
× Alexander Von Vegesack Living in Motion: Design and Architecture for Flexible Dwelling (Weil am Rhein: Vitra Design Museum, 2002).

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::PERFORMANCE / THEATRE::
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° Antonin Artaud, The Theatre and Its Double: Essays (London: Calder & Boyars,1970). (*Alchemical)
× Philip Auslander, From Acting Modernism and Postmodernism (London & New York: Routledge, 1997).
° Philip Auslander, Liveliness: Performance in Mediatized Culture (London & New York: Routledge, 1999).
° J. L. Austin, J. O. Urmson & Marina Sbisa (Eds.) How to Do Things with Words (Harvard University Press; 2 edition, 1975).
× Gregory Battcock & Robert Nickas, The Art of Performance: A Critical Anthology (New York: E.P. Dutton, 1984).
° Claire Bishop (Ed.), Participation (Cambridge: The MIT Press, 2006).
× Ray L. Birdwhistell, Kinesics and Context: Essays on Body Motion Communication (Philadelphia: University of Pennsylvania Press, 1970).
° Jane Blocker, Where is Ana Mendieta?: Identity, Performativity, and Exile (Durham & London: Duke University Press,1999).
° Giovanna Borasi & Mirko Zardini (Eds.), Actions: What You Can Do With the City (Montreal: Canadian Centre for Architecture, 2008).
× Bertolt Brecht, Brecht on Theater (New York: Hill and Wang, 1964).
° Marvin Carlson, Performance: A Critical Introduction (London & New York: Routledge,1996). (*Reading Performativity)
x Gavin Carver & Colin Beardon (Eds.), New Visions in Performance: The Impact of Digital Technologies (London & New York: Routledge, 2004).
° Steve Dixon, Digital Performance: A History of New Media in Theatre, Dance, Performance Art, and Installation (Cambridge: The MIT Press, 2007
° Claire Doherty (Ed.), Situation (Cambridge: The MIT Press, 2009).
° Jim Drobnick & Jennifer Fisher, CounterPoses (Montréal: Display Cult & Oboro, 2002).
× Charles Esche & Will Bradley (Eds.), Art and Social Change: A Critical Reader (Tate, 2008).
× Armando Favazza, Bodies Under Siege: Self-mutilation and Body Modification in Culture and Psychiatry (John Hopkins University Press, 1996).
° Barbara Fisher, Love Gasoline (Toronto: Mercer Union, 2001).
° Rudolpf Frieling, Boris Groys, Robert Atkins, Lev Manovich, The Art of Participation: 1950 to Now (San Francisco Museum of Modern Art, Thame & Hudson, 2009)
° Roselee Goldberg, Performance Art: From Futurism to the Present (New York: Harry N. Abrams) 1979).
° José Gil. "Paradoxical Body" in The Drama Review 50:4 (t192) Winter, 2006. (*Into the Folds)
° Jerzy Grotowski, Towards a Poor Theater (London & New York: Routledge, 2002).
° Jens Hoffmann & Joan Jonas, Art Works Perform, (New York: Thames & Hudson, 2005).
× Don Ihde, "Bodies in Technology" in Electronic Mediations (Volume 5, University of Minnesota Press).
× Don Ihde, Sense and Significance (Humanities Pr, 1973).
× Stephen Johnstone (Ed.), The Everyday (Cambridge: The MIT Press, 2006).
° Amelia Jones, Body Art, Performing The Subject (Minneapolis & London: University of Minnesota Press, 1998).
× Amelia Jones & Andrew Stephenson, Performing the Body/Performing the Text (London & New York: Routledge, 1999).
× Amelia Jones, "Televisual Flesh: Activating Otherness in New Media Art" in Parachute, No.113, 2004.
× Allan Kaprow, Essays on the Blurring of Art and Life, Jeff Kelley (Ed.), Berkeley: University of California Press, 1993).
× Adrian Kear & Patrick Campbell (Eds.), Performance and Psychoanalysis (New York: Routledge, 2001).
× George Kernodle, From Art to Theatre (Chicago: University of Chicago Press, 1944).
° Grant H. Kester, Conversation Pieces: Community and Communication in Modern Art (University of California Press, 2004).
× Susan Kozel, Closer (Cambridge: The MIT Press, 2008).
° Love Forever: Yayoi Kusama exhibition catalogue (Los Angeles County Museum of Art, The Japan Foundation, The Museum of Modern Art, New York, 1998).
x John Law & John Hassard, Actor Network Theory and After (Wiley-Blackwell, 1999).° Patrice Loubier & Anne-Marie Ninacs Dir., Les commensaux (Montreal: Centre des arts actuels SKOL, 2001).
° Erin Manning, Politics of Touch: Sense, Movement, Sovereignty (University of Minnesota Press, 2006).
° Erin Manning, Relationscapes: Movement, Art, Philosophy (Cambridge: The MIT Press, 2009).
× Jon McKenzie, Perform or else: from discipline to performance (London; New York: Routledge, 2001).
° Linda Montano, Performance Artists Talking in the Eighties (Berkeley: University of California Press, 2000).
° Linda Montano, Art in Everday Life (Los Angeles: Astro Artz, 1981).
× Gloria Moure, Vito Acconci: Writings, Works, Projects (Ediciones Poligrafa S.A, 2002).
° Yoko Ono Yes (New York: Japan Society and Harry N. Abrams, 2001).
× Peggy Phelan, Jill Lane (Ed.) The Ends of Performance (New York: New York University Press, 1998).
× Peggy Phelan, Life, Once More: Forms of Reenactment in Contemporary Art (Witte de with Center for Contemporary Art, 2005).
° Peggy Phelan, Unmarked: The Politics of Performance (New York: Routledge, 1993).
° Alain-Martin Richard & Clive Robertson, Performance au/in Canada 1970-1990 (Quebec: Éditions Inter, 1991).
× Moira Roth Ed., The Amazing Decade: Women and Performance Art in America, 1979-1980 (Los Angeles: Astro Artz, 1983).
× Henry Sayre, The Object of Performance (Chicago: University of Chicago Press, 1992).
× Richard Schechner, Between Theatre and Anthropology (Chicago: University of Chicago Press, 1985).
° Richard Schechner, Performance Studies: an introduction (London; New York : Routledge, 2002).
° Carolee Schneemann, Imaging Her Erotics (Cambridge: The MIT Press, 2003).
° Rebecca Schneider, The Explicit Body in Performance (London & New York: Routledge, 1997).
× John. R. Searle, Speech Acts: An Essay in the Philosophy of Language (Cambridge University Press, 1970).
× Richard Shusterman, Body Consciousness: A Philosophy of Mindfulness and Somaesthetics (Cambridge University Press, 2008).
× Richard Shusterman, Performing Live: Aesthetic Alternatives for the Ends of Art (Cornell University, 2000).
° Victoria Stanton & Vincent Tinguely, Impure: Reinventing the Word (Montreal: Conundrum Press, 2001).
x Blake Stimson & Gregory Sholette (Ed.), Collectivism after Modernism: The Art of Social Imagination after 1945 (University of Minnesota Press, 2007).
° Thomas Richards & Jerzy Grotowski, At Work With Grotowski on Physical Actions (London & New York: Routledge, 1995). (*Alchemical)
× Nato Thompson & Gregory Sholette (Eds.), The Interventionists: Users'Manual for the Creative Disruption of Everyday Life (Cambridge: The MIT Press, 2004).
× Darlene Tong & Carl Loeffler (Eds.), Performance Anthology: Source Book of California Performance Art (San Francisco: Last Gasp Press and Contemporary Arts Press, 1989).
× Marcia Tucker, Choices: Making an Art of Everyday Life (New York: New Museum of Contemporary Art [catalog], 1986).
° Lea Vergine, Body Art and Performance: The Body as Language (Torino: Skira, 2000).
° Keith Wallace Ed., Whispered Art History: Twenty Years at The Western Front (Vancouver: Western Front, 1993).
° Tracey Warr Ed., The Artist's Body (Themes and Movements, Phaidon Press, 2000).
× Don B. Wilmeth & Tice L. Miller (Eds.), Cambridge Guide to American Theatre (Cambridge: Cambridge Univesity ress, 1993).
× W.B. Worthen & Peter Holland (Eds), Theorizing Practice: Redefining Theatre History (London: Palgrave McMillan, 2003).
× Catherine de Zegher, Inside the Visible: An Elliptical Traverse of 20th Century Art in, of, and from the Feminine (Cambridge: The MIT Press, 1996).

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::DIGITAL MEDIA::
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::GENDER & MEDIA::
° Melodie Calvert & Jennifer Terry (Eds.), Processed Lives: Gender and Technology in Everyday Life (London & New York: Routledge, 1997).
° Mary Flanagan & Auston Booth, Reload: Rethinking Women + Cyberculture (Cambridge: The MIT Press, 2002).
° Sadie Plant, Zeros + Ones: Digital Women + The New Technolculture (New York: Doubleday, 1997).

::INTERNET / CYBORG::
× Annmarie Chandler & Norie Neumark (Eds.), At a Distance: Precursors to Art and Activism on the Internet (Cambridge: The MIT Press, 2006).
° Mark Dery, Escape Velocity: Cyberculture at the End of the Century (New York: Grove Press, 1996).
° Martin Dodge & Rob Kitchin, Mapping Cyberspace (London & New York: Routledge, 2001).
× Ollivier Dyens, Metal and Flesh, The Evolution of Man: Technology Takes Over (Cambridge: The MIT Press, 2001).
° Chris Hables Gray, The Cyborg Handbook (London & New York: Routledge, 1996).
° Rachel Greene, Internet Art (New York: Thames & Hudson, 2004).
° William J. Mitchell, City of Bits: Space, Place, and the Infobahn (Cambridge: The MIT Press, 1996).
× William J. Mitchell, Me++ : The Cyborg Self and the Networked City (Cambridge: The MIT Press, 2004).
° Howard Rheingold, Smart Mobs: The Next Social Revolution (Toronto: HarperCollins Canada/Basic Books, 2003).
° Sherry Turkle, Life on the Screen (New York: Simon & Schuster, 1997).
× Michele White, The Body and the Screen: theories of Internet spectatorship (Cambridge: The MIT Press, 2006).

::INFORMATION TECHNOLOGY / CYBERNETICS / AI::
° Derrick de Kerckhove, The Architecture of Intelligence (Basel/Boston/Berlin: Birkhäuser, 2001).
× Neil Gershenfeld, The Physics of Information Technology (Cambridge University Press, 2000).
× Neil Gershenfeld, When Things Start to Think (Owl, 2000).
° John Johnston, The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI (Cambridge: The MIT Press, 2008).
× Marvin Minsky, The Society of Mind, (New York: Simon and Schuster, 1986).
× Lewis Mumford, Technics and Civilizations (New York: Harcourt, 1964).
° Rosalind W. Picard, Affective Computing (Cambridge: The MIT Press, 1997).
× Mark Poster, Information please: culture and politics in the age of digital machines (Durham: Duke University Press, 2006).
× Mark Poster, The mode of information : poststructuralism and social context (Chicago: University of Chicago Press, 1990).
× Claude Shannon & Warren Weaver, Information Theory (Chicago: University of Illinois, 1963).
× Ellen Svenonius, The Intellectual Foundation of Information Organization (Cambridge: The MIT Press, 2001).
× Norbert Weiner, Cybernetics: Control and Communication in the Animal and the Machine (Cambridge: The MIT Press, 1962).

::INTERACTION DESIGN / SOCIAL / EMBODIMENT::
× Benedict Anderson, Imagined Communities (Verso Press, 2006).
× Wiebe E. Bijker, Of Bicycles, Bakelites, and Bulbs: Toward a Theory of Sociotechnical Change (Cambridge: The MIT Press, 1997).
× Wiebe Bijker, Thomas P. Hughes & Trevor Pinch (Eds.), The Social Construction of Technological Systems: New Directions in the Sociology and History of Technology (Cambridge: The MIT Press, 1989).
° Paul Dourish, Where the Action Is: The Foundations of Embodied Interaction (Cambridge: The MIT Press, 2001).
× Deborah G. Johnson & Jameson M. Wetmore (Eds.), Technology and Society: Building Our Sociotechnical Future (Cambridge: The MIT Press, 2008).
× Victor Kaptelinin, Bonnie A. Nardi, Acting with Technology: Activity Theory and Interaction Design (Cambridge: The MIT Press, 2006).
× John Maeda, The Laws of Simplicity (Cambridge: The MIT Press, 2006).
° John McCarthy and Peter Wright, Technology as Experience (Cambridge: The MIT Press, 2004).
° Bill Moggridge, Designing Interactions (Cambridge: The MIT Press, 2006).
° Anna Munster, Materializing New Media: Embodiment in Information Aesthetics (Dartmouth, 2006).
° Don Norman, The Design of Everyday Things (Basic Books, 2002).
° Don Norman, The Design of Future Things (Basic Books, 2007).
° Lucy A. Suchman, Human-Machine Reconfigurations: Plans and Situated Actions (Cambridge University Press, 2007).

::MEDIA ART THEORY::
° Jay David Bolter & Richard Grusin, Remediations: Understanding New Media (Cambridge: The MIT Press, 2000).
× Alex Coles, Design and Art (Cambridge: The MIT Press, 2007).
° Matthew Fuller, Media Ecologies: Materialist Energies in Art and Technoculture (Cambridge: The MIT Press, 2007).
× David Garcia, Bronac Ferran & Cathy Brickwood (Eds.), (Un)common Ground: Creative Encounters across Sectors and Disciplines (BIS Publishers, 2009).
× Oliver Grau, MediaArtHistories (Cambridge: The MIT Press, 2007).
× Mark B. N. Hansen, Bodies in Code (Routledge, 2006).
° Mark B. N. Hansen, New Philosophies for New Media (Cambridge: The MIT Press, 2004).
× Henry Jenkins, Convergence Culture: Where Old and New Media Collide (New York University Press, 2006).
° Thomas Y. Levin, Ursula Frohne & Peter Weibel (Eds.), CTRL[SPACE] Rhetorics of Surveillance from Bentham to Big Brother (Karlsruhe: ZKM, 2002).
° Peter Lunenfeld, The Digital Dialectic: New Essays on New Media (Cambridge: The MIT Press, 1999).
° Lev Manovich, The Language of New Media (Cambridge: The MIT Press, 2001).
° Brian Massumi, Parables for the Virtual: Movement, Affect, Sensation (Durham & London: Duke University Press, 2002). (*Alchemical & *Flesh and Form)
° Marshall McLuhan, Understanding Media (Cambridge: The MIT Press, 1995).
° Arjen Mulder & Joke Brouwer (Eds.) Interact or Die! (NAI Publishers, 2007).
× Jacques Ranciere, Future Of The Image (Verso Press USA, 2007).
× Jacques Ranciere, Politics of Aesthetics (Continuum, 2006).
× Michael Rush, New Media in Art (New York: Thames & Hudson, 2005).
° Randall Packer & Ken Gordon, Multimedia: From Wagner to Virtual Reality (New York: W.W. Norton & Company, 2001).
° Christiane Paul, Digital Art (New York: Thames & Hudson, 2003).
° Neil Spiller, Cyber_Reader: Critical writings for the digital era (New York: Phaidon Press, 2002).
° Barbara Maria Stafford & Frances Terpak, Devices of Wonder: From the world in a box to images on a screen (Los Angeles: Getty Publications, 2001).
° Mark Tribe, Reena Jana & Uta Grosenick (Eds.), New Media Art (Taschen, 2006).
× Sherry Turkle (Ed.), Evocative Objects: Things We Think With (Cambridge: The MIT Press, 2007).
× Sherry Turkle (Ed.), Falling for Science: Objects in Mind (Cambridge: The MIT Press, 2008).
× Sherry Turkle, The Inner History of Devices (Cambridge: The MIT Press, 2008).
× Victoria Vesna, Database Aesthetics: Art in the Age of Information Overflow (University of Chicago Press, 2007).
× Bruce Wands, Art Of The Digital Age (Thames and Hudson, 2007).
° Noah Wardrip-Fruin & Nick Montfort (Eds.), The New Media Reader (Cambridge: The MIT Press, 2003).
° Stephen Wilson, Information Arts: Intersections of Art, Science, and Technology (Cambridge: The MIT Press, 2002). [ Links to Artists in Book]
× Siegfried Zielinski, Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means Trans. Gloria Custance (Cambridge University Press, 2008).

::MOBILE / WIRELESS::
× Barry Brown, Nicola Green & Richard Harper (Eds.), Wireless World: Social and Interactional Aspects of the Mobile Age (London, Berlin: Springer-Verlag UK, 2001).
× André H. Caron, Letizia Caronia, Moving Cultures: Mobile Communication in Everyday Life (McGill-Queen's University Press, 2007).
× Foth, Handbook of Research on Urban Informatics: the Practice and Promise of the Real Time City (Igi Global, 2009).
× Gerard Goggin, Cell Phone Culture : Mobile Technology in Everyday Life (New York, NY: Routledge, 2006).
× Mizuko Ito, Daisuke Okabe, and Misa Matsuda, Personal, Portable, Pedestrian Mobile Phones in Japanese Life (Cambridge: The MIT Press, 2006).
× James Everett Katz and Mark A. Aakhus, Perpetual Contact: Mobile Communication, Private Talk, Public Performance (Cambridge, UK ; New York Cambridge University Press, 2002).

::ROBOTICS::
° Jan Allen (Ed.), Machine Life (Kingston: Agnes Etherington Art Centre, 2004).
° Ken Goldberg (Ed.), The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet (Cambridge: The MIT Press, 2000).
° Peter Menzel & Faith D'Aluisio, Robo Sapiens: Evolution of a New Species (Cambridge: The MIT Press, 2000).

::SCIENCE / ART::
° Sian Ede (Ed.), Strange and Charmed: Science and the Contemporary Arts (Gulbenkian Foundation, 2000).
° Caroline A. Jones (Ed.), Sensorium: Embodied Experience, Technology, and Contemporary Art (Cambridge: The MIT Press, 2006).
° Laurent Migonneau & Christa Sommerer, Art @ Science (SpringerWein, 1998).

::SOFTWARE::
× Ben Fry, Visualizing Data (O'Reilly Media, 2007).
° Casey Reas & Ben Fry, Processing: Programming Handbook for Visual Designers and Artists (Cambridge: The MIT Press, 2007).

::VIRTUAL ENVIRONMENTS / TELEMATICS::
° Roy Ascott (Ed.), Reframing Consciousness: Art, Mind and Technology (Exeter/Portland: Intellect Books, 1999).
° Roy Ascott, Telematic Embrace: Visionary Theories of Art, Technology (University of California Press, 2002).
° John Beckmann (Ed.), The Virtual Dimension (Princeton Architectural Press, 1998).
× Olivier Grau, Virtual Art: From Illusion to Immersion (Cambridge: The MIT Press, 2004).
° Mary Anne Moser & Douglas MacLeod, Immersed in Technology: Art and Virtual Environments (Cambridge: The MIT Press, 1996).
° Pierre Lévy, Becoming Virtual: Reality in the Digital Age, Trans. Robert Bononno (New York & London: Plenum Trade, 1998).

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::THEORY::
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::DELEUZE / GUATTARI / DERRIDA::
° Jacques Derrida, Of Grammatology (Baltimore: John Hopkins University Press, 1974).
× Jacques Derrida, Margins of Philosophy (Chicago: University of Chicago Press, 1982).
× Jacques Derrida, Points: Interviews 1974-1994, Elizabeth Weber (Ed.), Trans. Peggy Kamuf et al. (Stanford: Stanford University Press, 1995).
x Jacques Derrida, Writing and Difference, (Chicago: University of Chicago Press, 1978). (*Alchemical)
× Giles Deleuze & Felix Guattari. Anti-Oedipus (Minneapolis: University of Minnesota Press, 1983).
° Giles Deleuze & Felix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, Trans. Brian Massumi (Minneapolis: University of Minnesota Press, 1987). (*Flesh and Form)
° Gilles Deleuze & Felix Guattari, What Is Philosophy? Trans. Hugh Tomlinson & Graham Burchell (New York: Columbia University Press, 1994). (*Flesh and Form)
° Giles Deleuze, Bergsonism, Trans. Hugh Tomlinson & Barbara Habberjam (New York: Zone Books, 1991).
° Gilles Deleuze, Cinema 1: The Movement-Image, Trans. Hugh Tomlinson & Barbara Habberjam (Minneapolis: The University of Minnesota Press, 1986).
° Gilles Deleuze, Cinema 2: The Time-Image, Trans. Hugh Tomlinson & Robert Galeta (Minneapolis: The University of Minnesota Press, 1989).
° Gilles Deleuze, Difference & Repetition, Trans. Paul Patton (New York: Columbia University Press, (1968) 1994). (*Alchemical)
× Gilles Deleuze, Pure Immanence: Essays on a Life (New York: Zone, 2003).
× Gilles Deleuze, Spinoza: Practical Philosophy (City Lights Publishers, 2001). (*Into the Folds)
° Giles Deleuze, The Fold: Leibniz and the Baroque, Trans. Tom Conley (Minneapolis: University of Minnesota Press, 1992). (*Into the Folds & *SpaceTime)
° Felix Guattari, Chaosmosis: An Ethico-Aesthetic Paradigm (Bloomington: Indiana University Press, 1995). (*Alchemical)
° Felix Guattari, Chaosmosis: An Ethico-Aesthetic Paradigm (Bloomington: Indiana University Press, 1995). (*Alchemical)
° Felix Guattari, Three Ecologies (Continuum, 2005). (*Into the Folds)
× Felix Guattari, Pragmatic/Machinic: A discussion with Charles J. Stivale (Wayne State University, March 1985).
× Gary Genosco (Ed.). The Guattari Reader. (Wiley-Black, 1986). (*Into the Folds)
× Brian Massumi. A Shock to Thought: Expressions After Deleuze and Guattari. (Routledge, 2002). (*Into the Folds)
° Brian Massumi, A User's Guide to Capitalism and Schizophrenia: Deviations from Deleuze and Guattari (Cambridge: The MIT Press, 1992).

::COGNITIVE SCIENCE / AUTOPOESIS::
× D. Beauregard, The Spiritual Brain (Harper Collins Publishers Ltd, 2008).
× Andy Clark, Being There: Putting Brain, Body, and World Together Again (Cambridge: The MIT Press, 1998).
× Andy Clark, Natural-Born Cyborgs: Minds, Technologies, and the Future of Human Intelligence (Oxford University Press, 2004).
× Andy Clark, Supersizing the Mind: Embodiment, Action, and Cognitive Extension (Oxford University Press, 2008).
× Richard E. Cytowic & David M. Eagleman, Wednesday Is Indigo Blue: Discovering the Brain of Synesthesia (Cambridge: The MIT Press, 2009).
× Antonio Damasio, Descartes Error (Penguin Paperbacks, 2005).
× Antonio Damasio, Looking for Spinoza: Joy, Sorrow, and the Feeling Brain (Harcourt Inc. 2003).
× Antonio Damasio, The Feeling of What Happens: Body and Emotion in the Making of Consciousness (Houghton Mifflin Harcourt, 2000).
× Jean-Pierre Dupuy, On the Origins of Cognitive Science: The Mechanization of the Mind (Cambridge: The MIT Press, 2009).
× Shaun Gallagher, How the Body Shapes the Mind (Clarendon Press, 2006).
× Raymond W. Gibbs Jr., Embodiment and Cognitive Science (Cambridge University Press, 2005).
× J.J. Gibson, The Senses Considered as Perceptual Systems (Westport: Greenwood, 1983).
× Mark Johnson, The Meaning of the Body: Aesthetics of Human Understanding (University of Chicago Press, 2008).
× George Lakoff, Philosophy in the Flesh: The Embodied mind and its challenge to western philosophy (New York: Basic Book, 1999).
× Humberto R. Maturana & Francisco J. Varela, The Tree of Knowledge: The Biological Roots of Human Understanding (1st Ed. Boston: New Science Library: Distributed in the United States by Random House, 1987).
× Humberto.R. Maturana & Francisco J. Varela, Autopoiesis and Cognition: The Realization of the Living (Boston Studies in the Philosophy of Science: Springer, 1991).
° Alva Noë, Action in Perception (Cambridge: The MIT Press, 2006).
× Alva Noë, Out of Our Heads (Fsg Adult, 2009).
× Alva Noë & Evan Thompson (Eds.), Vision and Mind: Selected Readings in the Philosophy of Perception (Cambridge: The MIT Press, 2002).
× Jean Petitot, Morphogenesis Of Meaning (Peter Lang Pub Inc., 2003).
° David Rudrauf, Antoine Lutz, Diego Cosmelli, Jean-Phillipe Lachaux, and Michel Le Van Quyen "Francisco Varela’s exploration of the biophysics of being," Laboratoire de Neurosciences Cognitives et Imagerie Cérébrale, CNRS UPR 640,Paris, France
× Rupert Sheldrake, A New Science of Life: The Hypothesis of Morphic Resonance (Icon Books, 2009).
× Rupert Sheldrake, Morphic Resonance (INNER TRADITION, 2009).
× Rupert Sheldrake, The Presence of the Past: Morphic Resonance and the Habits of Nature (Park Street Press, 1995).
× René Thom, Structural Stability and Morphohenesis (Addison Wesley Publishing Company, 1989).
× Evan Thompson, Mind in Life: Biology, Phenomenology, and the Sciences of Mind (Belknap Press, 2007).
× Michael Tomasello, Origins of Human Communication (Cambridge: The MIT Press, 2008).
× Michael Tomasello, The Cultural Origins of Human Cognition (Harvard University Press, 2001).
° Cretien van Campen, The Hidden Sense: Synesthesia in Art and Science (Cambridge: The MIT Press, 2007).
× Franscisco J. Varela, Ethical Know-How: Action, Wisdom, and Cognition (University of Chicago Press, 1999).
× Francisco J. Varela & Jonathan Shear (Eds.), The View from Within: First-Person Approaches to the Study of Consciousness (Imprint Academic, 1999).
° Franscisco J. Varela, Evan T. Thompson and Eleanor Rosch, The Embodied Mind: Cognitive Science and Human Experience (Cambridge: The MIT Press, 1992). (*Reading Performativity)

::PHILOSOPHY::
× Giorgio Agamben, Homo Sacer: Sovereign Power and Bare Life Trans. Daniel Heller-Roazen (Stanford University Press, 1998).
× Giorgio Agamben, The Open: Man and Animal Trans. Kevin Attell (University Of Chicago Press, 2005).
× Giorgio Agamben, State of Exception Trans. Kevin Attell (University Of Chicago Press, 2005).
° Hannah Arendt, The Human Condition (Chicago: University of Chicaog Press, 1958).
x Alain Badiou, Being and Event (Continuum, 2007).
x Alain Badiou, The Century (Polity, 2007).
x Alain Badiou, Conditions (Continuum, 2009).
x Alain Badiou, Deleuze: The Clamor of Being (University of Minnesota Press, 1999).
x Alain Badiou, Ethics (Verso, 2002).
x Alain Badiou, Handbook of Inaesthetics (Stanford University Press, 2004).
× Alain Badiou, Infinite Thought: Truth and the Return to Philosophy, Trans. Oliver Felham and Justin Clement (New York: Continuum, 1998).
x Alain Badiou, Logics of Worlds: Being and Event II (Continuum, 2009).
x Alain Badiou, Metapolitics (Verso, 2006).
x Alain Badiou, Numbers and Numbers (Polity, 2008).
x Alain Badiou, Polemics (Verso, 2006).
° Alain Badiou, Theoretical Writings (New York: Continuum, 2004). (*Alchemical)
° Alain Badiou, Theory of the Subject (Continuum, 2009).
° Walter Benjamin, Illuminations: Essays and Reflections, Hannah Arendt (Ed.) (New York: Schoken Books, 1969).
× Walter Benjamin, Reflections: Essays, Aphorisms, Autobiographical Writings, (New York: Schoken Books, 1986).
° Henri Bergson, Creative Evolution (Dover Publications, 1998). (*Into the Folds)
× Henri Bergson, The Creative Mind: An Introduction to Metaphysics (Dover Publications, 2007).
° Henri Bergson, Laughter: An Essay on the Meaning of the Comic, Trans. Cloudesley Brereton & Fred Rothwell (Kobenhavn & Los Angeles: Green Integer Books, 1911).
x Henri Bergson, Matter and Memory, Trans. N.M. Paul & W.S. Palmer (New York: Zone Books, 1991).
° Henri Bergson, Time and Free Will: An Essay on the Immediate Data of Consciousness, (Dover Publications, 2001) (*SpaceTime)
× Hans-Georg Gadamer, Philosophical Hermeneutics (University of California Press, 2008).
× Hans-Georg Gadamer, Truth and Method (Continuum, 2004).
× Graham Harman, Heidegger Explained: From Phenomenon to Thing (Open Court, 2007).
× Graham Harman, Tool-Being: Heidegger and The Metaphysics Of Objects (Open Court, 2002).
° Martin Heidegger, Being and Time (Harperone, 1962). (*SpaceTime)
° Martin Heidegger, Poetry, Language, Thought (HarperCollins Canada/Harper Trade, 2001). (*Reading Performativity)
× Martin Heidegger and Eugen Fink, Heraclitus Seminar (Evanston: Northwestern Universty Press, 1993).
° Michael Holland (Ed.), The Blanchot Reader (Wiley-Blackwell, 1995).
× Edmund Husserl, Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy: First Book, General Introduction to a Pure Phenomenology, Trans. F. Kersten. Dordrecht (Netherlands: Kluwer Academic Publishers, 1982 (1913)).
× Edmund Husserl, The Phenomenology of Internal Time-Consciousness. (Bloomington: Indiana University Press, (1928) 1964).
× William James, Essays in Radical Empiricism (University of Nebraska Press, 1996). (*Flesh and Form)
° Immanuel Kant, Critique of Pure Reason (Dover Publications, 2003). (*SpaceTime)
× Steven Shaviro, Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics (Cambridge: The MIT Press, 2009).
× Bertrand Russell, A History of Western Philosophy (Touchstone, 1967).
× Alfred North Whitehead, Adventures of Ideas. (The Free Press, 1933). (*Flesh and Form)
× Alfred North Whitehead, Modes of Thought (Fireside, 1968).
° Alfred North Whitehead, Process and Reality (The Free Press, 1979). (*Flesh and Form & *SpaceTime)
× Alfred North Whitehead, The Concept of Nature: The Tarner Lectures Delivered in Trinity College, November 1919 (Mineola, N.Y.: Dover Publications, 2004).
× Alfred North Whitehead, Science and the Modern World (Free Press; Reissue edition, 1997).
× Ludwig Wittgenstein, Philosophical Investigations (New York: MacMillan, Third Edition, 1958).

::PHENOMENOLOGY::
× Eugene Gendlin, Experiencing and the Creation of Meaning: A Philosophical and Psychological Approach to the Subjective (Studies in Phenomenology & Existential Philosophy), (Evanston: Northwestern University Press, 1997).
° Maurice Merleau-Ponty, Phenomenology of Perception, Trans. Colin Smith (London & New York: Routledge, 1962).
× Maurice Merleau-Ponty, The Structure of Behavior (Duquesne University Press, 1983).
° Maurice Merleau-Ponty, The Visible and the Invisible (Evanston: Northwestern University Press, 1969).
× Maurice Merleau-Ponty, The World of Perception (Routledge, 2004).
× Maurice Merleau-Ponty, Sense and Nonsense (Evanston Ill: Northwestern University Press, 1964).

::POST-MODERMISM / SEMIOTICS::
× Theodor W. Adorno, Aesthetic Theory (Minneapolis: University of Minnesota Press, 1997).
× Theodor W. Adorno & Stephen Cook (Ed.), Adorno: The Stars Down to Earth and other essays on the irrational in culture (Minneapolis: University of Minnesota Press, 1997).
° Roland Barthes, A Lover's Discourse, Trans. Richard Howard (New York: Hill and Wang, The Noonday Press, 1978).
° Roland Barthes, Empire of Signs, Trans. Richard Howard (New York: Farrar, Straus & Giroux, 1983).
° Roland Barthes, The Grain of the Voice: Interviews 1962-1980, Trans. Linda Coverdale (Berkeley and Los Angeles: University of California Press, 1985).
° Roland Barthes, Image, Music, Text, Trans. Stephen Heath (New York: Hill and Wang, The Noonday Press, 1977).
° Roland Barthes, Mythologies, Trans. Annette Lavers (New York: Hill and Wang, The Noonday Press, 1973).
° Roland Barthes, The Responsibility of Forms: Critical Essays on Music, Art, and Representation, Trans. Richard Howard (New York: Hill and Wang, The Noonday Press, 1985).
° Jean Baudrillard, The Ecstasy of Communication Trans. Bernard & Caroline Schutze (New York: Semiotext(e), 1988).
× Jean Baudrillard, Symbolic Exchange and Death (London: Sage, 1993).
° Jean Baudrillard, Simulacra and Simulation, Trans. Sheila Faria Glaser (Ann Arbor: The University of Michigan Press, 1994).
× Jean Baudrillard. System of Objects (New York: Verso, 1993).
× Victor Burgin, In/Different Places: Place and Memory in Visual Culture (Berkeley: University of California Press, 1996).
° Jonathan Crary & Sanford Kwinter, Incorporations (New York: Zone Books, 1992).
× Jonathan Crary, Techniques of the Observer: On Vision and Modernity in the 19th Century (Cambridge: The MIT Press, 1990).
× Jonathan Crary, Suspensions of Perception: Attention, Spectacle, and Modern Culture (Cambridge: The MIT Press, 2002).
° Hal Foster (Ed.) The Anti-Aesthetic: Essays on Postmodern Culture (Seattle: Bay Press, 1983).
° Umberto Eco & Stefan Collini (Ed.), Interpretation and Overinterpretation (Cambridge: Cambridge University, 1992).
× Umberto Eco, The Open Text (Cambridge: Cambridge University, 1997).
° Umberto Eco, The Role of The Reader: Explorations in the Semiotics of Texts (Bloomington: Indiana University Press, 1979).
° Umberto Eco, Travels in Hyperreality (San Diego: Harcourt Brace Jovanovich, 1986).
× Umberto Eco, Semiotics and the Philosophy of Language (London: Macmillan, 1984).
× Frederic Jameson, Postmodernism, The Cultural Logic of Late Capitalism (Verso, 1991).
° Rosalind Krauss, 'A Voyage on the North Sea': Art in the Age of the Post-Medium Condition (Thames and Hudson, 1999).
° Rosalind Krauss, The Originality of the Avant-Garde and Other Modernist Myths (Cambridge: The MIT Press, 1986).
° Jean-François Lyotard, The Postmodern Condition: a report on knowledge (Manchester Unversity Press, 1984).
° Susan Sontag, Against Interpretation (New York: Anchor Books, Doubleday, 1990).
° Paul Virilio, The Art of the Motor, Trans. Julie Rose (Minneapolis/London: The University of Minnesota Press, 1995).
° Paul Virilio, The Vision Machine (Bloomington: Indiana University, 1994).
× Paul Virilio, War and Cinema: The Logistics of Perception (London: Verso, 1989).
° Slavoj Zizek, Looking Awry: An Introduction to Jacques Lacan through Popular Culture (Cambridge: The MIT Press, 2002).

::POST-HUMANISM / SCIENCE AND TECHNOLOGY STUDIES / NETWORKS::
° Karen Barad, Meeting the Universe Halfway: Quantum Physics & the Entaglement of Matter & Meaning (Duke University Press, 2007).
° Karen Barad, "Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter"in Signs: Journal of Women in Culture and Society, 28 (2003), No.3. (*Reading Performativity)
x Judith Butler, Bodies that Matter (London & New York: Routledge, 1993).
× Judith Butler, Excitable Speech: A Politics of the Performative (New York: Routledge, 1997).
° Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (London & New York: Routledge, 2006).
x Judith Butler, Giving an Account of Oneself (Fordham University Press, 2005).
× Michel Callon, Acting in an Uncertain World: An Essay on Technical Democracy (Boston: The MIT Press, 2007).
x Hans H. Diebner, Performative Science and Beyond: Involving the Process in Research (Springer, 2006).
° N. Katherine Hayles, How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics (Chicago & London: The University of Chicago Press, 1999).
× Alexander R. Galloway & Eugene Thacker, The Exploit: A Theory of Networks (University Of Minnesota Press, 2007).
° Hans Ulrich Gumbrecht, Production of Presence: What Meaning Cannot Convey (Stanford: Stanford University Press, 2004). (*Reading Performativity)
×Edward J. Hackett, Olga Amsterdamska, Michael Lynch & Judy Wajcman (Eds.), The Handbook of Science and Technology Studies (Cambridge: The MIT Press, 2007).
° Donna J. Haraway, Modest_Witness@Second_Millennium. FemaleMan_Meets_OncoMouse: Feminism and Technoscience (London & New York: Routledge, 1997).
× Donna Haraway, Simians, Cyborgs, and Women (New York: Routledge, 1991).
× Donna Haraway, When Species Meet (University Of Minnesota Press, 2007).
° Rebecca Herzig "Performance, Productivity, and Vocabularies of Motive in Recent Studies of Science" in Feminist Theory 2004; 5; 127. (*Reading Performativity)
× Friedrich A. Kittler, Discourse Networks, 1800/1900 (Stanford University Press, 1990).
× Friedrich A. Kittler, Literature, media, information systems : essays (Amsterdam: G+B Arts International, 1997).
× Thomas S. Kuhn, The Structure of Scientific Revolutions (University Of Chicago Press, 1996).
× Bruno Latour, Aramis, or the Love of Technology (Cambridge: Harvard University Press, 1996).
× Bruno Latour & Steve Woolgar, Jonas Salk (Ed.) Laboratory Life: The Construction of Scientific Facts (Princeton University Press, 1986).
× Bruno Latour, Politics of Nature: How to Bring the Sciences into Democracy (Harvard University Press, 2004).
° Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory (Oxford University Press, 2007).
x Bruno Latour, Science in Action: How to Follow Scientists and Engineers Through Society (Cambridge: Harvard University Press, 1988).
° Bruno Latour, We Have Never Been Modern (Cambridge: Harvard University Press, 1993). (*Reading Performativity)
° Jean-Luc Nancy, The Birth to Presence (Stanford University Press, 1994). (*Reading Performativity)
° Andrew Pickering, The Mangle of Practice: Time, Agency, and Science (Chicago: University of Chicago Press, 1995).
x Ilya Prigogine, The End of Certainty (Free Press, 1997).
° Ilya Prigogine and Isabelle Stengers, Order out of Chaos: Man's New Dialogue with Nature (Toronto; New York: Bantham Books, 1984).
× Richard Sennett, The Craftsman (Yale University Press, 2008).
° Michel Serres, Eclaircissements: Entretiens avec Bruno Latour (Flammarion, 1994).
× Michel Serres, The Natural Contract Trans. Elizabeth MacArthur & William Paulson (University of Michigan Press, 1995).
× Michel Serres, The Parasite (University Of Minnesota Press, 2007).
× Michel Serres, Genesis Trans. James Nielson & Genevieve James (University of Michigan Press, 1997).
° Peter Sloterdijk, Essai d'intoxication volontaire suivi de L'heure du crime et le temps de l'œuvre d'art (Hachette Littérature, 2001).
° Gilbert Simondon, Du mode d'existence des objets techniques (Paris: Aubier-Flammarion, (1958) 2001). (*Simondon Group)
× Bernard Stiegler, Acting Out David Barison (Ed.) (University of Chicago Press, 2008).
× Bernard Stiegler, Technics and Time 1: The Fault of Epimetheus Trans. Richard Beardsworth & George Collins (Stanford University Press, 1998).
× Bernard Stiegler, Technics and Time 2: Disorientation Stephen Barker (Ed.) (University of Chicago Press, 2008).
× Isabelle Stengers, Les Concepts Scientifiques (Gallimard, 1991).
× Isabelle Stengers, Cosmopolitiques (La Découverte, 2007).
° Isabelle Stengers, "Ecology of Practice and Technology of Belonging" (*Reading Performativity)
° Isabelle Stengers, The Invention of Modern Science, Trans. Daniel W. Smith (University of Minnesota Press, (1993) 2000). (*Reading Performativity)
× Isabelle Stengers, La Guerre des sciences aura-t-elle lieu?, (Paris: Empêcheurs de penser en rond, 2001).
x Isabelle Stengers, Penser avec Whitehead, (Paris: Seuil, 2002).
× Isabelle Stengers, Power and Invention: Situating Science, Trans. Paul Bains (University of Minnesota Press, 1997).
× Isabelle Stengers, "Whitehead and science : from philosophy of nature to speculative cosmology"
× Simone Weil, Oppression and Liberty. (London & New York: Routledge, 2001).

::SOCIOLOGY / ANTHROPOLOGY::
× Manuel Castells, The Rise of The Network Society: The Information Age: Economy, Society and Culture, Volume I (Wiley-Blackwell, 2000).
° Manuel de Landa, A Thousand Years of Nonlinear History (New York: Zone Books, 1997).
° John Dewy, Art As Experience (Perigee, 2005).
° Michel Foucault, Archeology of Knowledge (New York: Pantheon, 1972).
° Michel Foucault, Discipline and Punish: The Birth of the Prison, Trans. Alan Sheridan (New York: Pantheon, 1977).
× Michel Foucault, Madness and Civilization: A History of Insanity in the Age of Reason (New York: Vintage Books, 1988).
° Michel Foucault, The Birth of the Clinic: An Archeology of Medical Perception, Trans. A. M. Sheridan Smith (New York: Vintage, 1973).
° Michel Foucault, The Order of Things: An Archeology of the Human Sciences (New York: Vintage, 1970).
× Erving Goffman, Behaviour in Public Spaces (New York: Free Press of Glencoe, 1963).
° Erving Goffman, Frame Analysis: an essay on the organization of experience (New York : Harper & Row, 1974).
° Erving Goffman, Interaction Ritual: essays in face-to-face behavior (Chicago: Aldine Pub. Co., 1967).
° Erving Goffman, Presentation of Self in Everyday Life (New York: Anchor Books, 1959).
× Niklas Luhmann, Art as a Social System Trans. Eva Knodt (Stanford University Press, 2000).
× Victor Turner & Edward M Bruner (Eds.), The Anthropology of Experience (University of Illinois Press, 2001).
× Victor Turner, Dramas, Fields and Metaphors: Symbolic Action in Human Society (Cornell University Press, 1975).
× Victor Turner, From Ritual to Theatre: The Human Seriousness of Play (PAJ Publications, 2001).
× Victor Turner, The Anthropology of Performance (PAJ Publications, 2001).
° Michael Warner, Publics and Counterpublics (Zone Books, 2005).

Legend:
° = I own
× = wish list
+ = ordered

Publishers:
Zone Books
MIT Press

Journals:
Grey Room
Inflexions
International Journal of Performance Arts and Digital Media
Leonardo
PAJ: A Journal of Performance and Art
Parrhesia
PJIM: Parsons Journal for Information Mapping
Presence Journal

Research Centres:
BioTron Institute for Experimental Climate Change Research
Bruno Latour Website
Centre for the Study of Theory and Criticsm - Theory Centre at WesternFacebook - University of Western Ontario
Topological Media Lab (Sha Xin Wei Reading Index) - Concordia University
Sense Lab - Concordia University
Centre for Digital Urban Living - Aarhus University
Digital Aesthetic Research Centre - Aarhus University

Blogs:
Fractal Ontology
Ocular Witness
Philosophy in a time of error
The Pinocchio Theory
Speculative Heresy
Theory Talks

Videos:
Foucault
Badiou - BBC Hard Talk
Zizek - BBC Hard Talk

© 2009 valerie lamontagne